They Ask, You Answer Coach, Inbound and Video Workshop Trainer, Creator of the Facebook Group ‘Film School for Marketers’
May 10th, 2018
With the vast amount of equipment options, cameras, lights, and accessories the task of setting up a video studio in your office can be intimidating -- Even more so if you’re on a tight budget.
But does this tight budget have to be restricting? And although there are many options, could those options be filtered with some basic criteria?
The answer, I’m delighted to say are, no, your budget will not define your success and yes, I’m going to give you all the criteria you need to confidently set up this studio.
But first, let’s address two important questions that are likely at the top of your list.
Can I use a smartphone setup?
Yes, you could, however, I don’t recommend it, at least if you have the means to purchase and operate stand alone digital cameras.
Although smartphone cameras are getting better everyday, it is still advantageous to use proper cameras for your marketing/sales videos due to the flexibility in equipment and range in quality.
Should I look for used equipment?
Absolutely. Half of my video equipment is second-hand and I’ve saved thousands of dollars this way.
In particular, I dig through the used section on sites like B&H Photo and Video and Adorama to look for deals on a regular basis. There is an element of quality control on both websites that eliminate my concern of buying used equipment that is damaged.
BONUS: Scroll to the bottom of this article for a video titled "How Much Does Basic Video Equipment Cost?"
Now, let’s get to it. I’ve broken this article into the 5 key elements you’ll need for your studio:
Let’s start by removing one of the most common obstacles: what to shoot in front of.
Fact is, not everybody has a camera-ready office or place to record videos. Not to mention, if your goal is to actually set up a studio, you’ll likely be using a room or space that’s undesirable for other functions; it’s just logical when you’re just getting started.
There are still plenty of options though, two of which I’d like to highlight for a beginner budget.
The main considerations when it comes to your backdrop are :
the size of your space
how you want to represent your office environment
Here are two of my top recommendations with these in mind:
If you’re setting up the studio in a cramped space, you likely won’t have room for a full set, which makes a background system likely the best option.
These are a good, inexpensive option because they are easy to setup and provide a clean, solid background for your subject. Additionally, a flat white or flat black color will help the skin tones and clothing stand out.
Although you need a good bit of room for good green screen lighting, you can light a black or white background pretty easily with limited space and lighting.
2. Decorated Set
If you want a unique, creative environment as your backdrop then perhaps a trip to IKEA or other inexpensive furniture options is a good idea.
For less than a thousand dollars, you could decorate your studio with modern furniture, simulating a real workspace, even if the rest of your office looks nothing like it.
(Note: I hope IKEA appreciates this plug.)
Purchasing lighting can be a tricky process, especially if you’re new to videography. Lighting sets come in a large variety of options and price ranges and this is one area you don’t want to be cheap in. It can only produce a cheap result.
Two main considerations I always make when it comes to lighting are portability and flexibility in terms of output. In other words, if possible, it’s nice to have variable brightness and color temperature settings like those below:
If you don’t plan on moving your equipment around on a regular basis, then some basic studio lights like this will be more than adequate. The addition of softboxes will diffuse the light output, which helps eliminate harsh shadows and glares.
If you plan to shoot in a variety of locations, even without subject or talent, having portable, battery power lights like these is going to be important.
Additionally, it’s important to have bi-color lights in which you can adjust the color temperature output. In layman's terms, you will need cooler or warmer colors in different environments.
In addition to lighting sources like the ones listed above, you should consider...
Diffusion Panel(s)to diffuse a light source and eliminate harsh shadows and glares. A diffusion panel is an inexpensive, portable tool to have around and will work with any sort of light source.
Unless you’re shooting your videos handheld, you’ll need to get that camera on a tripod.
Although camera stabilization is a pretty basic function, and the purpose of tripods are pretty universally understood, let’s make sure you get the best option first.
Again, while there are MANY inexpensive options out there, I generally discourage going with the cheapest option.
Price aside, you should really take the following into consideration when evaluating tripods:
Fluidity of the tripod head: If you’re using pan or tilt movements (up and down, side to side) in your footage, you want them to be smooth. Otherwise, you’re going to have shaky, unprofessional videos.
Quality of the build: There are a lot of moving and locking parts on a tripod. If you opt for an inferior product, these parts can get worn out and need replaced, adding to your expense.
Considering how often you’ll be using your tripod, it’s an important purchase.
These are a couple of my top picks for tripods based on our criteria above plus overall function, portability, and price.
Although it doesn’t look like much, this is actually a great budget option. It’s actually my personal studio tripod. The twin legs and middle spreader help keep the tripod from getting knocked over with heavy equipment, and the professional video fluid head is superb.
No surprise here; This decision is likely the most important decision you’ll make when it comes to your studio. Even under the best lighting, with the greatest set, and with clear, beautiful audio poor quality footage will likely not represent your brand very well.
As with any other purchase, you want to find the best value for your needs and in this instance, that really comes down to image quality and easy-of-use (usually based on auto-focus capabilities).
This is going to ensure that your finished videos look high quality even after intense edits and also remain crisp and focused on your subject.
The two options below are great for a beginner budget, can keep their value if you decide to upgrade later, and will give you a reasonable starting point in terms of picture quality.
Starting out at around $1000, I stand by this Canon camera because of it’s Dual Pixel auto focus System which delivers quick and accurate live focus tracking, ensuring your subject remains in focus throughout your videos.
This is a truly powerful mirrorless camera option for a company who is beginning their video journey.
The auto focus system is extremely fast and has almost three times the amount of focus points as the Canon listed above, even in low light conditions.
Picture quality is light years ahead, offering 4k resolution and a high dynamic range. Without getting too nerdy, this camera offers an incredibly sharp image.
Audio is a VERY important part of this equation. There is nothing more distracting than audio riddled with hissing or buzzing or even worse, sounds like it was recorded through a tin can.
If you’re on a budget, it makes more sense to simplify your audio hardware versus looking for the most inexpensive option.
When you’re examining your situation, the main concerns should be:
The acoustics of the environment: If the room is equipped with noisy equipment or other background noise, that will be a factor. Likewise, if the room has an echo, you’ll need an option that will eliminate that.
The amount of subjects you are shooting: If you’re shooting with one subject, that eliminates the need for multiple microphones or microphones that will pick up more dialogue.
It’s important to also capture your audio on a separate recording device than your DSLR camera.
These cameras tend to produce static noise that will affect your audio recording. The two options we’re recommending below are field recorder and microphone combos, meaning the microphone pack IS an external recorder.
If you have more than one subject, you’ll need multiple lavaliers or a shotgun microphone (....) that will capture multiple voices in a given area.
When it comes to audio specifically to your in-office studio, you should also consider looking into:
Acoustic Panels: These are great for rooms with poor acoustics. In other words, if sound is bouncing off of many hard surfaces or the room is somewhat big. Acoustic panels absorb and dampen sound as well as eliminating echos.
Why a Beginner Budget Shouldn’t Stop You
Like any investment, it’s important to clearly identify your needs with an office studio to determine where you can save a bit and where you should splurge.
Using the criteria I’ve mentioned in this article, you can begin to narrow down which items these are.
As you look around for equipment, thoroughly check reviews and testimonials from real consumers -- but , even if an item has an abundance of five-star reviews, it’s worth looking at the one and two star reviews to see what drawbacks people have come up with. Oftentimes, you’ll find nuanced issues in the lesser quality reviews.
Overall, my advice is don’t jump into your studio purchases mindlessly. Like everything in your marketing approach it strategically with value in mind.
BONUS: How Much Does Basic Video Equipment Cost?
Here Are Some Related Articles You May Find Interesting